The volunteer-run Star and Shadow Cinema has just reopened on Warwick Street, a few streets away from its original home on Stepney Bank.
Everyman Cinemas is set to open a new arthouse cinema on Grey Street to rival Tyneside Cinema. But with declining interest in specialised films is this decision viable?
Ken Loach’s latest film is set in Newcastle and stars Dave Johns as a traditional Geordie facing up to the challenge of living and getting by in 21st century England.
T. Dan Smith remains as one of Tyneside’s most controversial political figures. Hero or villain? Visionary or crook? Smith’s legacy distilled into four narratives.
Northern Realism versus ‘Southern Splendour’ – two common ways of imagining the geography and the stories of the United Kingdom.
How three new films – The Act of Killing, Waltz with Bashir and Leviathan – play with documentary history.
Followers of this site will already know of my love for Jafar Panahi and the Iranian cinema in general, so it is fairly straightforward that I would find Closed Curtain (Panahi, 2013) appealing in all of its postmodern, metatextual exuberance. It is a film which may seem unintelligible to audiences unaware of the director’s plight… Continue reading Summer Film Viewing
It could be said that like the elongated motorway sequence in Solaris (1972), supposedly included to alienate audiences unworthy of an Andrei Tarkovsky film, Miroslav Slaboshpitsky offers a similar manoeuvre by warning us both in the trailer and at the film’s inception that The Tribe will include no subtitles, voice-over or any other explanation of… Continue reading The Tribe (Miroslav Slaboshpitsky, 2015)
It could be said that the history of jazz has followed the same course as the history of the American cinema. Born around the same time in the late 19th century – one in the Deep South, the other in France – and progressing to become the popular American art forms of choice in the… Continue reading Whiplash, Jazz and Creativity
Here’s my list of the ten best films of the year: Leviathan (Andrey Zvyagintsev) Two Days, One Night (Jean-Pierre and Luc Dardenne)* Boyhood (Richard Linklater) Mr. Turner (Mike Leigh) The Wind Rises (Hayao Miyazaki) Under the Skin (Jonathan Glazer) The Grand Budapest Hotel (Wes Anderson) Starred Up (David Mackenzie) Winter Sleep (Nuri Bilge Ceylan) Her… Continue reading 2014: The Year’s Best Films